thirt33n
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Registered: 04-2012
Location: The Time Vortex
Posts: 151
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Re: Thirt33n's Conroy Corner
Poor kid. Cancer. Crazy dad. Pulled through time/space by a magic room. Life just really has it out for him.
What a freaky dream that must be, if that's the case.
"Dad?"
"Yeah, Isaac?"
"I had a dream that you were a psychotic monster who mutilated himself and killed a ton of people to harvest these magical doohickeys in order to bring me back to life while tearing the world apart."
"...go to bed son."
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5/14/2012, 11:41 pm
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Jintosh
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Registered: 06-2009
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Re: Thirt33n's Conroy Corner
It seems like Isaac appears behind Karl right about the time Karl vaporizes the body guard. And then Isaac withdraws back into the room.
What if Isaac saw Karl kill a man, and the reason Karl kills the man is that one/two etc. object powers are overlapping and the power makes you act out your worst fear.
Karl would never want Isaac to see him kill someone. Karl doesn't care if he kills someone, just as long as Isaac doesn't see him do it. It seems like Karl is under the influence of objects.
The card deck makes you see your worst nightmares, a combination of objects could make you act out your worst nightmare.
--- Jintosh, The KeyMaster, OA, RMC
Prop Replicas at http://www.TheLostRoom.org
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5/14/2012, 11:56 pm
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thirt33n
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Re: Thirt33n's Conroy Corner
That is a horrifying combination.
It would serve to explain why Isaac backed into the doorway again, but he didn't look scared or terrified. He had that some expressionless look that he had throughout the show.
Of interest in the original script it almost seemed like Karl had made contact with some sort of otherworldly power who was using Isaac's form as a skin to draw him into the Room.
For me it keeps seeming like Isaac was a lure for Karl.
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5/15/2012, 4:55 pm
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Jintosh
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Re: Thirt33n's Conroy Corner
quote: Of interest in the original script it almost seemed like Karl had made contact with some sort of otherworldly power who was using Isaac's form as a skin to draw him into the Room.
I might go for that. But, Unless Chris chimes in, we'll never be sure.
--- Jintosh, The KeyMaster, OA, RMC
Prop Replicas at http://www.TheLostRoom.org
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5/16/2012, 12:14 am
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thirt33n
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Re: Thirt33n's Conroy Corner
It times like this that I just wanna barge in and write the story myself. Really though it would be funny if we were on the right track and the writers just decided to change everything around just to mess with us. :P
Still, I'm sorely tempted to set out and write up stories on the Objects if only as a means of placating myself.
Has anyone tried bribing the writers?
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5/18/2012, 1:45 am
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thirt33n
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Re: Thirt33n's Conroy Corner
Reading through the newly posted rewrite of "The Eye and the Occupant" it seems that the theory of the Conroy combination opening the door to the Event is correct in some regards.
Very disturbing how the Room began flickering back into reality...or should I say how reality began flickering into the realm of the Room.
Seemed like the Event was about to go universal.
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7/22/2012, 6:31 pm
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Chucklbunny
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Registered: 06-2007
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Re: Thirt33n's Conroy Corner
it is different.....strange how many ways this could have gone.....
Chuckles
--- Chucklbunny - OA, RMC
The Founder of The Collectors
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7/22/2012, 7:02 pm
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ThyWhoDevourstheSoulsofMen
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Registered: 10-2013
Location: Arcata, CA
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Re: Thirt33n's Conroy Corner
When Kreutzfeld kills Anthony, he exclaims 'No!' with eyes wide. That, to me, makes clear that killing him was an accident. It also happens to be at the same time that Joe drives up with Eddie, so it may have been intended to inhibit their obstruction, which would explain his expression as he's turning around, though that could be due to the discomfort of being amidst a rippling spacetime.
[ From here on, I'm going to assume you've all seen Spike's theory on The Conroy Experiment having created The Objects. ]
Arlene knew there was no Room 10; Gus makes this clear when he says 'The motel only had nine rooms, but one day Arlene finds the key to Room 10.' After that he illustrates that her fate is wrought by her own deeds: her lust for the Objects drives her to death, yet this desire for acquisition and for understanding began with a mystery: how can the world I know [ originally, the Sunshine Motel ] which I experience daily have more to it than I can see?
We she opened the door, her thoughts were adventurous ones; to explore the part of our universe none have seen.
She knew there had never been a Room 10, but when she opened The Door 'the right way,' she found it, though doing so had detrimental effects.
Just as Kreutzfeld is sliding The Key into Room 9's lock, he says aloud 'I just want to see my son,' and when he opens The Door, that is what he sees.
I don't know what the implications of this are, but it seems to me that in both instances of The Experiment, the driving force of the experimenter is held before them shortly before bringing their demise.
...
There is a field of psychology whose dogma is that you can know a man by his craft; that in any work of art is its creator. This is called psychoanalysis, and I assume it is known to all of us.
The point I'm getting to here is that the correlation I've found - and perhaps those you've - are the result of the minds which created The Conroy Experiment in the first place. I'm mean that literally: Chris, Laura and Paul.
Whatever The Room represented to them, whatever the Objects were symbols of in their minds, whatever the effects on the people who own the Objects or their curiosity meant to them, that would cause there to be at the least some inherent correlation between the two experiments and their functions and the relating meaning which is conveyed subconsciously to us all.
I don't think we can at this developement apply any definitive logic to what we see in TLR, so this may all be futile, but with time and deep, philosophical thought I think this may all be applied to reality in way which, perhaps, none of us foresee now.
--- My name is semantically correct in limited circumstances.
Ille desideratur illud quod intes est tenebris. Nos omnes eam volunt.
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11/19/2014, 7:52 pm
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